NETHERLANDSOPINIONUKRAINEYULIIA ELYAS Between Knives and Words Nov 21, 2024Nov 21, 2024 OLEKSII MINKOOPINIONUKRAINE A Bomb Shelter of Contemporary Art: Sense of Safety and the Quantum Physics of an Exhibition Nov 19, 2024Nov 20, 2024 CZECH REPUBLICOPINIONWERONIKA ZALEWSKA Sowing Unrest as a Practice of Nurture. On the 3rd Biennale Matter of Art in Prague Nov 18, 2024Nov 25, 2024 MAXIMILIAN LEHNEROPINIONROMANIA Purposeful and Incidental Nov 14, 2024Nov 14, 2024 OPINIONPOLANDSEE/SAWSTACH SZABŁOWSKI 100 Years in Labirynt Nov 6, 2024Nov 14, 2024 AUSTRIAOPINIONVERA ZALUTSKAYA The Way of the Water: In Search of a Fool’s Paradise Oct 4, 2024Oct 7, 2024 AUSTRIAOPINIONRALUCA NESTOR OANCEAROMANIA Nature as Affect and Touch: A Collaboration Between Romanian and Austrian Artists Sep 2, 2024Sep 2, 2024 ANDRII USHYTSKYIOPINIONUKRAINE Places Where We (Dis)Connect Aug 19, 2024Aug 21, 2024 ARKADIUSOPINIONPOLANDWERONIKA WOJDA Arkadius as Melancholia Aug 19, 2024Aug 19, 2024 JOACHIM AAGAARD FRIISLUXEMBOURGOPINION The Digital as Material and Social Form. On Cyber Structures: Material Realities–Digital Experiences Aug 15, 2024Aug 15, 2024 Load MoreEnd Of Content SearchSearch Archive December 2024 November 2024 October 2024 September 2024 August 2024 July 2024 June 2024 May 2024 April 2024
OLEKSII MINKOOPINIONUKRAINE A Bomb Shelter of Contemporary Art: Sense of Safety and the Quantum Physics of an Exhibition Nov 19, 2024Nov 20, 2024 CZECH REPUBLICOPINIONWERONIKA ZALEWSKA Sowing Unrest as a Practice of Nurture. On the 3rd Biennale Matter of Art in Prague Nov 18, 2024Nov 25, 2024 MAXIMILIAN LEHNEROPINIONROMANIA Purposeful and Incidental Nov 14, 2024Nov 14, 2024 OPINIONPOLANDSEE/SAWSTACH SZABŁOWSKI 100 Years in Labirynt Nov 6, 2024Nov 14, 2024 AUSTRIAOPINIONVERA ZALUTSKAYA The Way of the Water: In Search of a Fool’s Paradise Oct 4, 2024Oct 7, 2024 AUSTRIAOPINIONRALUCA NESTOR OANCEAROMANIA Nature as Affect and Touch: A Collaboration Between Romanian and Austrian Artists Sep 2, 2024Sep 2, 2024 ANDRII USHYTSKYIOPINIONUKRAINE Places Where We (Dis)Connect Aug 19, 2024Aug 21, 2024 ARKADIUSOPINIONPOLANDWERONIKA WOJDA Arkadius as Melancholia Aug 19, 2024Aug 19, 2024 JOACHIM AAGAARD FRIISLUXEMBOURGOPINION The Digital as Material and Social Form. On Cyber Structures: Material Realities–Digital Experiences Aug 15, 2024Aug 15, 2024 Load MoreEnd Of Content SearchSearch Archive December 2024 November 2024 October 2024 September 2024 August 2024 July 2024 June 2024 May 2024 April 2024
CZECH REPUBLICOPINIONWERONIKA ZALEWSKA Sowing Unrest as a Practice of Nurture. On the 3rd Biennale Matter of Art in Prague Nov 18, 2024Nov 25, 2024 MAXIMILIAN LEHNEROPINIONROMANIA Purposeful and Incidental Nov 14, 2024Nov 14, 2024 OPINIONPOLANDSEE/SAWSTACH SZABŁOWSKI 100 Years in Labirynt Nov 6, 2024Nov 14, 2024 AUSTRIAOPINIONVERA ZALUTSKAYA The Way of the Water: In Search of a Fool’s Paradise Oct 4, 2024Oct 7, 2024 AUSTRIAOPINIONRALUCA NESTOR OANCEAROMANIA Nature as Affect and Touch: A Collaboration Between Romanian and Austrian Artists Sep 2, 2024Sep 2, 2024 ANDRII USHYTSKYIOPINIONUKRAINE Places Where We (Dis)Connect Aug 19, 2024Aug 21, 2024 ARKADIUSOPINIONPOLANDWERONIKA WOJDA Arkadius as Melancholia Aug 19, 2024Aug 19, 2024 JOACHIM AAGAARD FRIISLUXEMBOURGOPINION The Digital as Material and Social Form. On Cyber Structures: Material Realities–Digital Experiences Aug 15, 2024Aug 15, 2024 Load MoreEnd Of Content SearchSearch Archive December 2024 November 2024 October 2024 September 2024 August 2024 July 2024 June 2024 May 2024 April 2024
MAXIMILIAN LEHNEROPINIONROMANIA Purposeful and Incidental Nov 14, 2024Nov 14, 2024 OPINIONPOLANDSEE/SAWSTACH SZABŁOWSKI 100 Years in Labirynt Nov 6, 2024Nov 14, 2024 AUSTRIAOPINIONVERA ZALUTSKAYA The Way of the Water: In Search of a Fool’s Paradise Oct 4, 2024Oct 7, 2024 AUSTRIAOPINIONRALUCA NESTOR OANCEAROMANIA Nature as Affect and Touch: A Collaboration Between Romanian and Austrian Artists Sep 2, 2024Sep 2, 2024 ANDRII USHYTSKYIOPINIONUKRAINE Places Where We (Dis)Connect Aug 19, 2024Aug 21, 2024 ARKADIUSOPINIONPOLANDWERONIKA WOJDA Arkadius as Melancholia Aug 19, 2024Aug 19, 2024 JOACHIM AAGAARD FRIISLUXEMBOURGOPINION The Digital as Material and Social Form. On Cyber Structures: Material Realities–Digital Experiences Aug 15, 2024Aug 15, 2024 Load MoreEnd Of Content SearchSearch Archive December 2024 November 2024 October 2024 September 2024 August 2024 July 2024 June 2024 May 2024 April 2024
OPINIONPOLANDSEE/SAWSTACH SZABŁOWSKI 100 Years in Labirynt Nov 6, 2024Nov 14, 2024 AUSTRIAOPINIONVERA ZALUTSKAYA The Way of the Water: In Search of a Fool’s Paradise Oct 4, 2024Oct 7, 2024 AUSTRIAOPINIONRALUCA NESTOR OANCEAROMANIA Nature as Affect and Touch: A Collaboration Between Romanian and Austrian Artists Sep 2, 2024Sep 2, 2024 ANDRII USHYTSKYIOPINIONUKRAINE Places Where We (Dis)Connect Aug 19, 2024Aug 21, 2024 ARKADIUSOPINIONPOLANDWERONIKA WOJDA Arkadius as Melancholia Aug 19, 2024Aug 19, 2024 JOACHIM AAGAARD FRIISLUXEMBOURGOPINION The Digital as Material and Social Form. On Cyber Structures: Material Realities–Digital Experiences Aug 15, 2024Aug 15, 2024 Load MoreEnd Of Content SearchSearch Archive December 2024 November 2024 October 2024 September 2024 August 2024 July 2024 June 2024 May 2024 April 2024
AUSTRIAOPINIONVERA ZALUTSKAYA The Way of the Water: In Search of a Fool’s Paradise Oct 4, 2024Oct 7, 2024 AUSTRIAOPINIONRALUCA NESTOR OANCEAROMANIA Nature as Affect and Touch: A Collaboration Between Romanian and Austrian Artists Sep 2, 2024Sep 2, 2024 ANDRII USHYTSKYIOPINIONUKRAINE Places Where We (Dis)Connect Aug 19, 2024Aug 21, 2024 ARKADIUSOPINIONPOLANDWERONIKA WOJDA Arkadius as Melancholia Aug 19, 2024Aug 19, 2024 JOACHIM AAGAARD FRIISLUXEMBOURGOPINION The Digital as Material and Social Form. On Cyber Structures: Material Realities–Digital Experiences Aug 15, 2024Aug 15, 2024 Load MoreEnd Of Content SearchSearch Archive December 2024 November 2024 October 2024 September 2024 August 2024 July 2024 June 2024 May 2024 April 2024
AUSTRIAOPINIONRALUCA NESTOR OANCEAROMANIA Nature as Affect and Touch: A Collaboration Between Romanian and Austrian Artists Sep 2, 2024Sep 2, 2024 ANDRII USHYTSKYIOPINIONUKRAINE Places Where We (Dis)Connect Aug 19, 2024Aug 21, 2024 ARKADIUSOPINIONPOLANDWERONIKA WOJDA Arkadius as Melancholia Aug 19, 2024Aug 19, 2024 JOACHIM AAGAARD FRIISLUXEMBOURGOPINION The Digital as Material and Social Form. On Cyber Structures: Material Realities–Digital Experiences Aug 15, 2024Aug 15, 2024 Load MoreEnd Of Content SearchSearch Archive December 2024 November 2024 October 2024 September 2024 August 2024 July 2024 June 2024 May 2024 April 2024
ANDRII USHYTSKYIOPINIONUKRAINE Places Where We (Dis)Connect Aug 19, 2024Aug 21, 2024 ARKADIUSOPINIONPOLANDWERONIKA WOJDA Arkadius as Melancholia Aug 19, 2024Aug 19, 2024 JOACHIM AAGAARD FRIISLUXEMBOURGOPINION The Digital as Material and Social Form. On Cyber Structures: Material Realities–Digital Experiences Aug 15, 2024Aug 15, 2024 Load MoreEnd Of Content SearchSearch Archive December 2024 November 2024 October 2024 September 2024 August 2024 July 2024 June 2024 May 2024 April 2024
ARKADIUSOPINIONPOLANDWERONIKA WOJDA Arkadius as Melancholia Aug 19, 2024Aug 19, 2024 JOACHIM AAGAARD FRIISLUXEMBOURGOPINION The Digital as Material and Social Form. On Cyber Structures: Material Realities–Digital Experiences Aug 15, 2024Aug 15, 2024 Load MoreEnd Of Content
JOACHIM AAGAARD FRIISLUXEMBOURGOPINION The Digital as Material and Social Form. On Cyber Structures: Material Realities–Digital Experiences Aug 15, 2024Aug 15, 2024