CZECH REPUBLICSEE/SAW The Virtues and Vices of Our Time — Matyáš Chochola Jun 16, 2025Jun 16, 2025 HUNGARYOFF BIENNALEOPINIONTEODORA TALHOS Resisting the Headwind – the OFF Biennale Turns Ten Jun 11, 2025Jun 11, 2025 CONVERSATIONINGA STEIMANEKRISTAPS ANCANSLATVIAPAULS RIETUMS Literally a Very Small Celebration: A conversation between Kristaps Ancāns, Pauls Rietums, and Inga Šteimane Jun 4, 2025Jun 4, 2025
HUNGARYOFF BIENNALEOPINIONTEODORA TALHOS Resisting the Headwind – the OFF Biennale Turns Ten Jun 11, 2025Jun 11, 2025 CONVERSATIONINGA STEIMANEKRISTAPS ANCANSLATVIAPAULS RIETUMS Literally a Very Small Celebration: A conversation between Kristaps Ancāns, Pauls Rietums, and Inga Šteimane Jun 4, 2025Jun 4, 2025
CONVERSATIONINGA STEIMANEKRISTAPS ANCANSLATVIAPAULS RIETUMS Literally a Very Small Celebration: A conversation between Kristaps Ancāns, Pauls Rietums, and Inga Šteimane Jun 4, 2025Jun 4, 2025
ANNEMARIE REICHENBACHCONVERSATIONLATVIASABINE SNE Paths We Make, Roots We Share Jun 2, 2025Jun 2, 2025 CONVERSATIONEDIT ANDRASEWA BORYSIEWICZHUNGARYSLOVENIAVERA ZALUTSKAYA The Lonely Wolves Generation: A Conversation with Edit András, Recipient of the 2024 Igor Zabel Award for Culture and Theory May 27, 2025May 28, 2025 ALISA BAKALOVAMOLDOVAOPINIONPOLAND As You Already May Know, Girlhood is a Spectrum (On Lushness. Women’s Art in the 21st Century at the National Art Museum of Moldova) May 12, 2025May 12, 2025 GERMANYLENBACHHAUSSEE/SAW But to Live Here? No Thanks: Surrealism and Anti-fascism. May 8, 2025May 8, 2025 HOS GALLERYPOLANDSEE/SAW Between Layers — DINKA May 5, 2025May 5, 2025 HUNGARYKISTEREMMARIA ARVAISEE/SAW Morphism. Drawings and Prints from the Pán-Mezei Collection May 1, 2025May 1, 2025 ETHNOGRAPHIC MUSEUMMARIAN HENELNATIONAL MUSEUM IN WROCŁAWPOLANDSEE/SAW Madness. The Case of Marian Henel – the Lecher from Branice Apr 28, 2025Apr 28, 2025 CZECH REPUBLICEVA KOT'ATKOVALITHUANIASEE/SAW Interviews with the Monster – Eva Kot’átková Apr 28, 2025Apr 28, 2025
CONVERSATIONEDIT ANDRASEWA BORYSIEWICZHUNGARYSLOVENIAVERA ZALUTSKAYA The Lonely Wolves Generation: A Conversation with Edit András, Recipient of the 2024 Igor Zabel Award for Culture and Theory May 27, 2025May 28, 2025 ALISA BAKALOVAMOLDOVAOPINIONPOLAND As You Already May Know, Girlhood is a Spectrum (On Lushness. Women’s Art in the 21st Century at the National Art Museum of Moldova) May 12, 2025May 12, 2025 GERMANYLENBACHHAUSSEE/SAW But to Live Here? No Thanks: Surrealism and Anti-fascism. May 8, 2025May 8, 2025 HOS GALLERYPOLANDSEE/SAW Between Layers — DINKA May 5, 2025May 5, 2025 HUNGARYKISTEREMMARIA ARVAISEE/SAW Morphism. Drawings and Prints from the Pán-Mezei Collection May 1, 2025May 1, 2025 ETHNOGRAPHIC MUSEUMMARIAN HENELNATIONAL MUSEUM IN WROCŁAWPOLANDSEE/SAW Madness. The Case of Marian Henel – the Lecher from Branice Apr 28, 2025Apr 28, 2025 CZECH REPUBLICEVA KOT'ATKOVALITHUANIASEE/SAW Interviews with the Monster – Eva Kot’átková Apr 28, 2025Apr 28, 2025
ALISA BAKALOVAMOLDOVAOPINIONPOLAND As You Already May Know, Girlhood is a Spectrum (On Lushness. Women’s Art in the 21st Century at the National Art Museum of Moldova) May 12, 2025May 12, 2025 GERMANYLENBACHHAUSSEE/SAW But to Live Here? No Thanks: Surrealism and Anti-fascism. May 8, 2025May 8, 2025 HOS GALLERYPOLANDSEE/SAW Between Layers — DINKA May 5, 2025May 5, 2025 HUNGARYKISTEREMMARIA ARVAISEE/SAW Morphism. Drawings and Prints from the Pán-Mezei Collection May 1, 2025May 1, 2025 ETHNOGRAPHIC MUSEUMMARIAN HENELNATIONAL MUSEUM IN WROCŁAWPOLANDSEE/SAW Madness. The Case of Marian Henel – the Lecher from Branice Apr 28, 2025Apr 28, 2025 CZECH REPUBLICEVA KOT'ATKOVALITHUANIASEE/SAW Interviews with the Monster – Eva Kot’átková Apr 28, 2025Apr 28, 2025
GERMANYLENBACHHAUSSEE/SAW But to Live Here? No Thanks: Surrealism and Anti-fascism. May 8, 2025May 8, 2025 HOS GALLERYPOLANDSEE/SAW Between Layers — DINKA May 5, 2025May 5, 2025 HUNGARYKISTEREMMARIA ARVAISEE/SAW Morphism. Drawings and Prints from the Pán-Mezei Collection May 1, 2025May 1, 2025 ETHNOGRAPHIC MUSEUMMARIAN HENELNATIONAL MUSEUM IN WROCŁAWPOLANDSEE/SAW Madness. The Case of Marian Henel – the Lecher from Branice Apr 28, 2025Apr 28, 2025 CZECH REPUBLICEVA KOT'ATKOVALITHUANIASEE/SAW Interviews with the Monster – Eva Kot’átková Apr 28, 2025Apr 28, 2025
HOS GALLERYPOLANDSEE/SAW Between Layers — DINKA May 5, 2025May 5, 2025 HUNGARYKISTEREMMARIA ARVAISEE/SAW Morphism. Drawings and Prints from the Pán-Mezei Collection May 1, 2025May 1, 2025 ETHNOGRAPHIC MUSEUMMARIAN HENELNATIONAL MUSEUM IN WROCŁAWPOLANDSEE/SAW Madness. The Case of Marian Henel – the Lecher from Branice Apr 28, 2025Apr 28, 2025 CZECH REPUBLICEVA KOT'ATKOVALITHUANIASEE/SAW Interviews with the Monster – Eva Kot’átková Apr 28, 2025Apr 28, 2025
HUNGARYKISTEREMMARIA ARVAISEE/SAW Morphism. Drawings and Prints from the Pán-Mezei Collection May 1, 2025May 1, 2025 ETHNOGRAPHIC MUSEUMMARIAN HENELNATIONAL MUSEUM IN WROCŁAWPOLANDSEE/SAW Madness. The Case of Marian Henel – the Lecher from Branice Apr 28, 2025Apr 28, 2025 CZECH REPUBLICEVA KOT'ATKOVALITHUANIASEE/SAW Interviews with the Monster – Eva Kot’átková Apr 28, 2025Apr 28, 2025
ETHNOGRAPHIC MUSEUMMARIAN HENELNATIONAL MUSEUM IN WROCŁAWPOLANDSEE/SAW Madness. The Case of Marian Henel – the Lecher from Branice Apr 28, 2025Apr 28, 2025 CZECH REPUBLICEVA KOT'ATKOVALITHUANIASEE/SAW Interviews with the Monster – Eva Kot’átková Apr 28, 2025Apr 28, 2025
CZECH REPUBLICEVA KOT'ATKOVALITHUANIASEE/SAW Interviews with the Monster – Eva Kot’átková Apr 28, 2025Apr 28, 2025
