CENTRAL MUSEUM OF TEXTILESOPINIONPOLANDWERONIKA MORAWIEC Emanation. Mar 31, 2026Mar 31, 2026 BRATISLAVA CITY GALLERYRADOVAN ČEREVKASEE/SAWSLOVAKIA Heroes’ Prop Room – Radovan Čerevka Mar 30, 2026Mar 30, 2026 2025 KYIV BIENNALESSAYM HKASVITLANA MATVIYENKOTHERE IS NOTHING SOLID ABOUT SOLIDARITY DECOLONIAL SOLIDARITY Mar 25, 2026Mar 29, 2026
BRATISLAVA CITY GALLERYRADOVAN ČEREVKASEE/SAWSLOVAKIA Heroes’ Prop Room – Radovan Čerevka Mar 30, 2026Mar 30, 2026 2025 KYIV BIENNALESSAYM HKASVITLANA MATVIYENKOTHERE IS NOTHING SOLID ABOUT SOLIDARITY DECOLONIAL SOLIDARITY Mar 25, 2026Mar 29, 2026
2025 KYIV BIENNALESSAYM HKASVITLANA MATVIYENKOTHERE IS NOTHING SOLID ABOUT SOLIDARITY DECOLONIAL SOLIDARITY Mar 25, 2026Mar 29, 2026
2025 KYIV BIENNALALPESH KANTILAL PATELESSAYM HKATHERE IS NOTHING SOLID ABOUT SOLIDARITY New Terminologies, Chance Encounters, and the Pleasures/Perils of Being Jostled Out of Context Mar 25, 2026Mar 29, 2026 2025 KYIV BIENNALESSAYM HKAMAXIM POLEACOVMOLDOVATHERE IS NOTHING SOLID ABOUT SOLIDARITY Samizdat: The Press Body of the Collective Mar 25, 2026Mar 25, 2026 2025 KYIV BIENNALESSAYKAJET JOURNALLAURA NAUMM HKAPETRICA MOGOSROMANIATHERE IS NOTHING SOLID ABOUT SOLIDARITY “Eastern Europe” in Air Quotes Mar 25, 2026Mar 25, 2026 CONVERSATIONETCHINGROOM1GERMANYUKRAINEYANA USTYMENKO How’d I End Up Here? Etchingroom1 in conversation with Yana Ustymenko Mar 19, 2026Mar 19, 2026 BELARUSCONVERSATIONEEEFFFFINLANDGERMANYM-CULTVERA ZALUTSKAYA Playtesting “Present Future”: An Interview with eeefff Mar 18, 2026Mar 19, 2026 AUSTRIAHALLE FÜR KUNST STEIERMARKSEE/SAW Àdùnní Olórìsà – Susanne Wenger Mar 15, 2026Mar 15, 2026 ANI ASATRYANARMENIAFEATURE Refusal as Method and Stance: Ethics of Voice in One Meme Away from War Mar 14, 2026Mar 14, 2026 ALEXANDER ADAMAUBELARUSLIZAVETA STECKOPOLANDSEE/SAW Hyperrealistic Mother —Alexander Adamau Mar 12, 2026Mar 12, 2026
2025 KYIV BIENNALESSAYM HKAMAXIM POLEACOVMOLDOVATHERE IS NOTHING SOLID ABOUT SOLIDARITY Samizdat: The Press Body of the Collective Mar 25, 2026Mar 25, 2026 2025 KYIV BIENNALESSAYKAJET JOURNALLAURA NAUMM HKAPETRICA MOGOSROMANIATHERE IS NOTHING SOLID ABOUT SOLIDARITY “Eastern Europe” in Air Quotes Mar 25, 2026Mar 25, 2026 CONVERSATIONETCHINGROOM1GERMANYUKRAINEYANA USTYMENKO How’d I End Up Here? Etchingroom1 in conversation with Yana Ustymenko Mar 19, 2026Mar 19, 2026 BELARUSCONVERSATIONEEEFFFFINLANDGERMANYM-CULTVERA ZALUTSKAYA Playtesting “Present Future”: An Interview with eeefff Mar 18, 2026Mar 19, 2026 AUSTRIAHALLE FÜR KUNST STEIERMARKSEE/SAW Àdùnní Olórìsà – Susanne Wenger Mar 15, 2026Mar 15, 2026 ANI ASATRYANARMENIAFEATURE Refusal as Method and Stance: Ethics of Voice in One Meme Away from War Mar 14, 2026Mar 14, 2026 ALEXANDER ADAMAUBELARUSLIZAVETA STECKOPOLANDSEE/SAW Hyperrealistic Mother —Alexander Adamau Mar 12, 2026Mar 12, 2026
2025 KYIV BIENNALESSAYKAJET JOURNALLAURA NAUMM HKAPETRICA MOGOSROMANIATHERE IS NOTHING SOLID ABOUT SOLIDARITY “Eastern Europe” in Air Quotes Mar 25, 2026Mar 25, 2026 CONVERSATIONETCHINGROOM1GERMANYUKRAINEYANA USTYMENKO How’d I End Up Here? Etchingroom1 in conversation with Yana Ustymenko Mar 19, 2026Mar 19, 2026 BELARUSCONVERSATIONEEEFFFFINLANDGERMANYM-CULTVERA ZALUTSKAYA Playtesting “Present Future”: An Interview with eeefff Mar 18, 2026Mar 19, 2026 AUSTRIAHALLE FÜR KUNST STEIERMARKSEE/SAW Àdùnní Olórìsà – Susanne Wenger Mar 15, 2026Mar 15, 2026 ANI ASATRYANARMENIAFEATURE Refusal as Method and Stance: Ethics of Voice in One Meme Away from War Mar 14, 2026Mar 14, 2026 ALEXANDER ADAMAUBELARUSLIZAVETA STECKOPOLANDSEE/SAW Hyperrealistic Mother —Alexander Adamau Mar 12, 2026Mar 12, 2026
CONVERSATIONETCHINGROOM1GERMANYUKRAINEYANA USTYMENKO How’d I End Up Here? Etchingroom1 in conversation with Yana Ustymenko Mar 19, 2026Mar 19, 2026 BELARUSCONVERSATIONEEEFFFFINLANDGERMANYM-CULTVERA ZALUTSKAYA Playtesting “Present Future”: An Interview with eeefff Mar 18, 2026Mar 19, 2026 AUSTRIAHALLE FÜR KUNST STEIERMARKSEE/SAW Àdùnní Olórìsà – Susanne Wenger Mar 15, 2026Mar 15, 2026 ANI ASATRYANARMENIAFEATURE Refusal as Method and Stance: Ethics of Voice in One Meme Away from War Mar 14, 2026Mar 14, 2026 ALEXANDER ADAMAUBELARUSLIZAVETA STECKOPOLANDSEE/SAW Hyperrealistic Mother —Alexander Adamau Mar 12, 2026Mar 12, 2026
BELARUSCONVERSATIONEEEFFFFINLANDGERMANYM-CULTVERA ZALUTSKAYA Playtesting “Present Future”: An Interview with eeefff Mar 18, 2026Mar 19, 2026 AUSTRIAHALLE FÜR KUNST STEIERMARKSEE/SAW Àdùnní Olórìsà – Susanne Wenger Mar 15, 2026Mar 15, 2026 ANI ASATRYANARMENIAFEATURE Refusal as Method and Stance: Ethics of Voice in One Meme Away from War Mar 14, 2026Mar 14, 2026 ALEXANDER ADAMAUBELARUSLIZAVETA STECKOPOLANDSEE/SAW Hyperrealistic Mother —Alexander Adamau Mar 12, 2026Mar 12, 2026
AUSTRIAHALLE FÜR KUNST STEIERMARKSEE/SAW Àdùnní Olórìsà – Susanne Wenger Mar 15, 2026Mar 15, 2026 ANI ASATRYANARMENIAFEATURE Refusal as Method and Stance: Ethics of Voice in One Meme Away from War Mar 14, 2026Mar 14, 2026 ALEXANDER ADAMAUBELARUSLIZAVETA STECKOPOLANDSEE/SAW Hyperrealistic Mother —Alexander Adamau Mar 12, 2026Mar 12, 2026
ANI ASATRYANARMENIAFEATURE Refusal as Method and Stance: Ethics of Voice in One Meme Away from War Mar 14, 2026Mar 14, 2026 ALEXANDER ADAMAUBELARUSLIZAVETA STECKOPOLANDSEE/SAW Hyperrealistic Mother —Alexander Adamau Mar 12, 2026Mar 12, 2026
ALEXANDER ADAMAUBELARUSLIZAVETA STECKOPOLANDSEE/SAW Hyperrealistic Mother —Alexander Adamau Mar 12, 2026Mar 12, 2026
