CZECH REPUBLICSARKA KOUDELOVASEE/SAW Petrichor — Šárka Koudelová Nov 20, 2024Nov 20, 2024 OLEKSII MINKOOPINIONUKRAINE A Bomb Shelter of Contemporary Art: Sense of Safety and the Quantum Physics of an Exhibition Nov 19, 2024Nov 20, 2024 CZECH REPUBLICOPINIONWERONIKA ZALEWSKA Sowing Unrest as a Practice of Nurture. On the 3rd Biennale Matter of Art in Prague Nov 18, 2024Nov 19, 2024
OLEKSII MINKOOPINIONUKRAINE A Bomb Shelter of Contemporary Art: Sense of Safety and the Quantum Physics of an Exhibition Nov 19, 2024Nov 20, 2024 CZECH REPUBLICOPINIONWERONIKA ZALEWSKA Sowing Unrest as a Practice of Nurture. On the 3rd Biennale Matter of Art in Prague Nov 18, 2024Nov 19, 2024
CZECH REPUBLICOPINIONWERONIKA ZALEWSKA Sowing Unrest as a Practice of Nurture. On the 3rd Biennale Matter of Art in Prague Nov 18, 2024Nov 19, 2024
MAXIMILIAN LEHNEROPINIONROMANIA Purposeful and Incidental Nov 14, 2024Nov 14, 2024 OPINIONPOLANDSEE/SAWSTACH SZABŁOWSKI 100 Years in Labirynt Nov 6, 2024Nov 14, 2024 POLANDPRZEMEK BRANASSEE/SAWSPAIN A Man Eating His Own Tail – Przemek Branas Nov 5, 2024Nov 5, 2024 ANASTASIA MARUKHINAGERMANYPATRICIA COUVETSEE/SAWSLAVS AND TATARS Sturm and Slang: 2024 Annual Public Program by Pickle Bar, Berlin Nov 4, 2024Nov 6, 2024 ESSAYLIZAVETA GERMANUKRAINEUnder the Lying Stone, Water Does Not Flow Thickets, Groves, Apartments, and Garages: on informal exhibitions in Ukraine, 1960s—2022: Part II Oct 30, 2024Oct 31, 2024 ESSAYLIZAVETA GERMANUKRAINEUnder the Lying Stone, Water Does Not Flow Thickets, Groves, Apartments, and Garages: on informal exhibitions in Ukraine, 1960s—2022: Part I Oct 30, 2024Oct 31, 2024 DASHA LOHVYNOVAESSAYFEATUREUKRAINEUnder the Lying Stone, Water Does Not Flow Investigating the Periphery: Ukrainian Wartime Art in the Framework of Horizontal Art History Oct 23, 2024Oct 23, 2024 NIKA KUPYROVASEE/SAWSLOVENIA Fake Fur – Nika Kupyrova Oct 22, 2024Oct 22, 2024
OPINIONPOLANDSEE/SAWSTACH SZABŁOWSKI 100 Years in Labirynt Nov 6, 2024Nov 14, 2024 POLANDPRZEMEK BRANASSEE/SAWSPAIN A Man Eating His Own Tail – Przemek Branas Nov 5, 2024Nov 5, 2024 ANASTASIA MARUKHINAGERMANYPATRICIA COUVETSEE/SAWSLAVS AND TATARS Sturm and Slang: 2024 Annual Public Program by Pickle Bar, Berlin Nov 4, 2024Nov 6, 2024 ESSAYLIZAVETA GERMANUKRAINEUnder the Lying Stone, Water Does Not Flow Thickets, Groves, Apartments, and Garages: on informal exhibitions in Ukraine, 1960s—2022: Part II Oct 30, 2024Oct 31, 2024 ESSAYLIZAVETA GERMANUKRAINEUnder the Lying Stone, Water Does Not Flow Thickets, Groves, Apartments, and Garages: on informal exhibitions in Ukraine, 1960s—2022: Part I Oct 30, 2024Oct 31, 2024 DASHA LOHVYNOVAESSAYFEATUREUKRAINEUnder the Lying Stone, Water Does Not Flow Investigating the Periphery: Ukrainian Wartime Art in the Framework of Horizontal Art History Oct 23, 2024Oct 23, 2024 NIKA KUPYROVASEE/SAWSLOVENIA Fake Fur – Nika Kupyrova Oct 22, 2024Oct 22, 2024
POLANDPRZEMEK BRANASSEE/SAWSPAIN A Man Eating His Own Tail – Przemek Branas Nov 5, 2024Nov 5, 2024 ANASTASIA MARUKHINAGERMANYPATRICIA COUVETSEE/SAWSLAVS AND TATARS Sturm and Slang: 2024 Annual Public Program by Pickle Bar, Berlin Nov 4, 2024Nov 6, 2024 ESSAYLIZAVETA GERMANUKRAINEUnder the Lying Stone, Water Does Not Flow Thickets, Groves, Apartments, and Garages: on informal exhibitions in Ukraine, 1960s—2022: Part II Oct 30, 2024Oct 31, 2024 ESSAYLIZAVETA GERMANUKRAINEUnder the Lying Stone, Water Does Not Flow Thickets, Groves, Apartments, and Garages: on informal exhibitions in Ukraine, 1960s—2022: Part I Oct 30, 2024Oct 31, 2024 DASHA LOHVYNOVAESSAYFEATUREUKRAINEUnder the Lying Stone, Water Does Not Flow Investigating the Periphery: Ukrainian Wartime Art in the Framework of Horizontal Art History Oct 23, 2024Oct 23, 2024 NIKA KUPYROVASEE/SAWSLOVENIA Fake Fur – Nika Kupyrova Oct 22, 2024Oct 22, 2024
ANASTASIA MARUKHINAGERMANYPATRICIA COUVETSEE/SAWSLAVS AND TATARS Sturm and Slang: 2024 Annual Public Program by Pickle Bar, Berlin Nov 4, 2024Nov 6, 2024 ESSAYLIZAVETA GERMANUKRAINEUnder the Lying Stone, Water Does Not Flow Thickets, Groves, Apartments, and Garages: on informal exhibitions in Ukraine, 1960s—2022: Part II Oct 30, 2024Oct 31, 2024 ESSAYLIZAVETA GERMANUKRAINEUnder the Lying Stone, Water Does Not Flow Thickets, Groves, Apartments, and Garages: on informal exhibitions in Ukraine, 1960s—2022: Part I Oct 30, 2024Oct 31, 2024 DASHA LOHVYNOVAESSAYFEATUREUKRAINEUnder the Lying Stone, Water Does Not Flow Investigating the Periphery: Ukrainian Wartime Art in the Framework of Horizontal Art History Oct 23, 2024Oct 23, 2024 NIKA KUPYROVASEE/SAWSLOVENIA Fake Fur – Nika Kupyrova Oct 22, 2024Oct 22, 2024
ESSAYLIZAVETA GERMANUKRAINEUnder the Lying Stone, Water Does Not Flow Thickets, Groves, Apartments, and Garages: on informal exhibitions in Ukraine, 1960s—2022: Part II Oct 30, 2024Oct 31, 2024 ESSAYLIZAVETA GERMANUKRAINEUnder the Lying Stone, Water Does Not Flow Thickets, Groves, Apartments, and Garages: on informal exhibitions in Ukraine, 1960s—2022: Part I Oct 30, 2024Oct 31, 2024 DASHA LOHVYNOVAESSAYFEATUREUKRAINEUnder the Lying Stone, Water Does Not Flow Investigating the Periphery: Ukrainian Wartime Art in the Framework of Horizontal Art History Oct 23, 2024Oct 23, 2024 NIKA KUPYROVASEE/SAWSLOVENIA Fake Fur – Nika Kupyrova Oct 22, 2024Oct 22, 2024
ESSAYLIZAVETA GERMANUKRAINEUnder the Lying Stone, Water Does Not Flow Thickets, Groves, Apartments, and Garages: on informal exhibitions in Ukraine, 1960s—2022: Part I Oct 30, 2024Oct 31, 2024 DASHA LOHVYNOVAESSAYFEATUREUKRAINEUnder the Lying Stone, Water Does Not Flow Investigating the Periphery: Ukrainian Wartime Art in the Framework of Horizontal Art History Oct 23, 2024Oct 23, 2024 NIKA KUPYROVASEE/SAWSLOVENIA Fake Fur – Nika Kupyrova Oct 22, 2024Oct 22, 2024
DASHA LOHVYNOVAESSAYFEATUREUKRAINEUnder the Lying Stone, Water Does Not Flow Investigating the Periphery: Ukrainian Wartime Art in the Framework of Horizontal Art History Oct 23, 2024Oct 23, 2024 NIKA KUPYROVASEE/SAWSLOVENIA Fake Fur – Nika Kupyrova Oct 22, 2024Oct 22, 2024
