OPINIONPOLANDSEE/SAWSTACH SZABŁOWSKI 100 Years in Labirynt Nov 6, 2024Nov 6, 2024 POLANDPRZEMEK BRANASSEE/SAWSPAIN A Man Eating His Own Tail – Przemek Branas Nov 5, 2024Nov 5, 2024 ANASTASIA MARUKHINAGERMANYPATRICIA COUVETSEE/SAWSLAVS AND TATARS Sturm and Slang: 2024 Annual Public Program by Pickle Bar, Berlin Nov 4, 2024Nov 6, 2024
POLANDPRZEMEK BRANASSEE/SAWSPAIN A Man Eating His Own Tail – Przemek Branas Nov 5, 2024Nov 5, 2024 ANASTASIA MARUKHINAGERMANYPATRICIA COUVETSEE/SAWSLAVS AND TATARS Sturm and Slang: 2024 Annual Public Program by Pickle Bar, Berlin Nov 4, 2024Nov 6, 2024
ANASTASIA MARUKHINAGERMANYPATRICIA COUVETSEE/SAWSLAVS AND TATARS Sturm and Slang: 2024 Annual Public Program by Pickle Bar, Berlin Nov 4, 2024Nov 6, 2024
ESSAYLIZAVETA GERMANUKRAINEUnder the Lying Stone, Water Does Not Flow Thickets, Groves, Apartments, and Garages: on informal exhibitions in Ukraine, 1960s—2022: Part II Oct 30, 2024Oct 31, 2024 ESSAYLIZAVETA GERMANUKRAINEUnder the Lying Stone, Water Does Not Flow Thickets, Groves, Apartments, and Garages: on informal exhibitions in Ukraine, 1960s—2022: Part I Oct 30, 2024Oct 31, 2024 DASHA LOHVYNOVAESSAYFEATUREUKRAINEUnder the Lying Stone, Water Does Not Flow Investigating the Periphery: Ukrainian Wartime Art in the Framework of Horizontal Art History Oct 23, 2024Oct 23, 2024 NIKA KUPYROVASEE/SAWSLOVENIA Fake Fur – Nika Kupyrova Oct 22, 2024Oct 22, 2024 CONVERSATIONMAKSYM KHODAKMARIA NOSCHENKOUKRAINEUnder the Lying Stone, Water Does Not Flow Paying Attention Oct 21, 2024Oct 25, 2024 CONVERSATIONFADESCHAINDIALITHUANIATADAS ZARONSKIS QUEERING AS AN ACTIVE PRACTICE Oct 19, 2024Oct 21, 2024 ESSAYKATERYNA VOLOCHNIUKUKRAINEUnder the Lying Stone, Water Does Not Flow Remembering, Displacement, and War: Contemporary Archival Practice as told through the Family Archive of Oleksii Shepeliuk Oct 15, 2024Oct 23, 2024 CONVERSATIONHANA CEFERINJURE KIRBISSLOVENIA EKO 9: EYES IN THE STONE Oct 14, 2024Oct 14, 2024
ESSAYLIZAVETA GERMANUKRAINEUnder the Lying Stone, Water Does Not Flow Thickets, Groves, Apartments, and Garages: on informal exhibitions in Ukraine, 1960s—2022: Part I Oct 30, 2024Oct 31, 2024 DASHA LOHVYNOVAESSAYFEATUREUKRAINEUnder the Lying Stone, Water Does Not Flow Investigating the Periphery: Ukrainian Wartime Art in the Framework of Horizontal Art History Oct 23, 2024Oct 23, 2024 NIKA KUPYROVASEE/SAWSLOVENIA Fake Fur – Nika Kupyrova Oct 22, 2024Oct 22, 2024 CONVERSATIONMAKSYM KHODAKMARIA NOSCHENKOUKRAINEUnder the Lying Stone, Water Does Not Flow Paying Attention Oct 21, 2024Oct 25, 2024 CONVERSATIONFADESCHAINDIALITHUANIATADAS ZARONSKIS QUEERING AS AN ACTIVE PRACTICE Oct 19, 2024Oct 21, 2024 ESSAYKATERYNA VOLOCHNIUKUKRAINEUnder the Lying Stone, Water Does Not Flow Remembering, Displacement, and War: Contemporary Archival Practice as told through the Family Archive of Oleksii Shepeliuk Oct 15, 2024Oct 23, 2024 CONVERSATIONHANA CEFERINJURE KIRBISSLOVENIA EKO 9: EYES IN THE STONE Oct 14, 2024Oct 14, 2024
DASHA LOHVYNOVAESSAYFEATUREUKRAINEUnder the Lying Stone, Water Does Not Flow Investigating the Periphery: Ukrainian Wartime Art in the Framework of Horizontal Art History Oct 23, 2024Oct 23, 2024 NIKA KUPYROVASEE/SAWSLOVENIA Fake Fur – Nika Kupyrova Oct 22, 2024Oct 22, 2024 CONVERSATIONMAKSYM KHODAKMARIA NOSCHENKOUKRAINEUnder the Lying Stone, Water Does Not Flow Paying Attention Oct 21, 2024Oct 25, 2024 CONVERSATIONFADESCHAINDIALITHUANIATADAS ZARONSKIS QUEERING AS AN ACTIVE PRACTICE Oct 19, 2024Oct 21, 2024 ESSAYKATERYNA VOLOCHNIUKUKRAINEUnder the Lying Stone, Water Does Not Flow Remembering, Displacement, and War: Contemporary Archival Practice as told through the Family Archive of Oleksii Shepeliuk Oct 15, 2024Oct 23, 2024 CONVERSATIONHANA CEFERINJURE KIRBISSLOVENIA EKO 9: EYES IN THE STONE Oct 14, 2024Oct 14, 2024
NIKA KUPYROVASEE/SAWSLOVENIA Fake Fur – Nika Kupyrova Oct 22, 2024Oct 22, 2024 CONVERSATIONMAKSYM KHODAKMARIA NOSCHENKOUKRAINEUnder the Lying Stone, Water Does Not Flow Paying Attention Oct 21, 2024Oct 25, 2024 CONVERSATIONFADESCHAINDIALITHUANIATADAS ZARONSKIS QUEERING AS AN ACTIVE PRACTICE Oct 19, 2024Oct 21, 2024 ESSAYKATERYNA VOLOCHNIUKUKRAINEUnder the Lying Stone, Water Does Not Flow Remembering, Displacement, and War: Contemporary Archival Practice as told through the Family Archive of Oleksii Shepeliuk Oct 15, 2024Oct 23, 2024 CONVERSATIONHANA CEFERINJURE KIRBISSLOVENIA EKO 9: EYES IN THE STONE Oct 14, 2024Oct 14, 2024
CONVERSATIONMAKSYM KHODAKMARIA NOSCHENKOUKRAINEUnder the Lying Stone, Water Does Not Flow Paying Attention Oct 21, 2024Oct 25, 2024 CONVERSATIONFADESCHAINDIALITHUANIATADAS ZARONSKIS QUEERING AS AN ACTIVE PRACTICE Oct 19, 2024Oct 21, 2024 ESSAYKATERYNA VOLOCHNIUKUKRAINEUnder the Lying Stone, Water Does Not Flow Remembering, Displacement, and War: Contemporary Archival Practice as told through the Family Archive of Oleksii Shepeliuk Oct 15, 2024Oct 23, 2024 CONVERSATIONHANA CEFERINJURE KIRBISSLOVENIA EKO 9: EYES IN THE STONE Oct 14, 2024Oct 14, 2024
CONVERSATIONFADESCHAINDIALITHUANIATADAS ZARONSKIS QUEERING AS AN ACTIVE PRACTICE Oct 19, 2024Oct 21, 2024 ESSAYKATERYNA VOLOCHNIUKUKRAINEUnder the Lying Stone, Water Does Not Flow Remembering, Displacement, and War: Contemporary Archival Practice as told through the Family Archive of Oleksii Shepeliuk Oct 15, 2024Oct 23, 2024 CONVERSATIONHANA CEFERINJURE KIRBISSLOVENIA EKO 9: EYES IN THE STONE Oct 14, 2024Oct 14, 2024
ESSAYKATERYNA VOLOCHNIUKUKRAINEUnder the Lying Stone, Water Does Not Flow Remembering, Displacement, and War: Contemporary Archival Practice as told through the Family Archive of Oleksii Shepeliuk Oct 15, 2024Oct 23, 2024 CONVERSATIONHANA CEFERINJURE KIRBISSLOVENIA EKO 9: EYES IN THE STONE Oct 14, 2024Oct 14, 2024
