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LIN MAY SAEEDLITHUANIAPOVILAS GUMBISSAPIEHA PALACESEE/SAW

Untouchability – Lin May Saeed

Feb 6, 2026Feb 6, 2026
ESSAYKATERYNA IAKOVLENKOUKRAINE

What Obstructs Art Becomes It: On Art And Its Meaning During the russian War in Ukraine

Feb 4, 2026Feb 4, 2026
ESSAYLIZAVETA GERMANUKRAINE

No Memory Is Final: On the Artistic Practice of Vitaliy Kokhan

Jan 26, 2026Jan 29, 2026
BAZAAR FESTIVALCZECH REPUBLICEMMA LOTTA LOHMUSOPINION

Prague Bazaar Festival: Seven Small Explosions

Jan 18, 2026Jan 18, 2026
CROATIASEE/SAWTROTOAR GALLERY

DEAR FATHER

Jan 5, 2026Jan 5, 2026
ESTONIAJOACHIM AAGAARD FRIISOPINION

Rethinking Photography: Between Screens, Matter, and the Everyday

Jan 3, 2026
FRANCEHUNGARYJAN ZALESAKOPINION

Hard shells and flickering reflections of bloodthirsty zombie modernity. On Cyprien Gaillard’s Ocean II Ocean at Trafó Gallery, Budapest

Nov 9, 2025Nov 9, 2025
BRITTA PETERSCONVERSATIONGERMANYMAJA ĆIRIĆ

Outside the White Cube

Nov 8, 2025Nov 8, 2025
OPINIONUKRAINEVERONIKA TREITIAK

How Many Times Have You Imagined a Catastrophe? The Space of Memory and Art in the Exhibition “Permanent Home of Displacement”

Nov 7, 2025Nov 26, 2025
ELISABETH BAUERESSAYMARHARYTA POLOVINKOUKRAINE

Marharyta Will Be History

Oct 15, 2025Oct 15, 2025
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