CZECH REPUBLICSARKA KOUDELOVASEE/SAW Petrichor — Šárka Koudelová Nov 20, 2024Nov 20, 2024 OLEKSII MINKOOPINIONUKRAINE A Bomb Shelter of Contemporary Art: Sense of Safety and the Quantum Physics of an Exhibition Nov 19, 2024Nov 20, 2024 CZECH REPUBLICOPINIONWERONIKA ZALEWSKA Sowing Unrest as a Practice of Nurture. On the 3rd Biennale Matter of Art in Prague Nov 18, 2024Nov 19, 2024 MAXIMILIAN LEHNEROPINIONROMANIA Purposeful and Incidental Nov 14, 2024Nov 14, 2024 OPINIONPOLANDSEE/SAWSTACH SZABŁOWSKI 100 Years in Labirynt Nov 6, 2024Nov 14, 2024 POLANDPRZEMEK BRANASSEE/SAWSPAIN A Man Eating His Own Tail – Przemek Branas Nov 5, 2024Nov 5, 2024 ANASTASIA MARUKHINAGERMANYPATRICIA COUVETSEE/SAWSLAVS AND TATARS Sturm and Slang: 2024 Annual Public Program by Pickle Bar, Berlin Nov 4, 2024Nov 6, 2024 ESSAYLIZAVETA GERMANUKRAINEUnder the Lying Stone, Water Does Not Flow Thickets, Groves, Apartments, and Garages: on informal exhibitions in Ukraine, 1960s—2022: Part II Oct 30, 2024Oct 31, 2024 ESSAYLIZAVETA GERMANUKRAINEUnder the Lying Stone, Water Does Not Flow Thickets, Groves, Apartments, and Garages: on informal exhibitions in Ukraine, 1960s—2022: Part I Oct 30, 2024Oct 31, 2024 DASHA LOHVYNOVAESSAYFEATUREUKRAINEUnder the Lying Stone, Water Does Not Flow Investigating the Periphery: Ukrainian Wartime Art in the Framework of Horizontal Art History Oct 23, 2024Oct 23, 2024 Load MoreEnd Of Content SearchSearch Archive November 2024 October 2024 September 2024 August 2024 July 2024 June 2024 May 2024 April 2024
OLEKSII MINKOOPINIONUKRAINE A Bomb Shelter of Contemporary Art: Sense of Safety and the Quantum Physics of an Exhibition Nov 19, 2024Nov 20, 2024 CZECH REPUBLICOPINIONWERONIKA ZALEWSKA Sowing Unrest as a Practice of Nurture. On the 3rd Biennale Matter of Art in Prague Nov 18, 2024Nov 19, 2024 MAXIMILIAN LEHNEROPINIONROMANIA Purposeful and Incidental Nov 14, 2024Nov 14, 2024 OPINIONPOLANDSEE/SAWSTACH SZABŁOWSKI 100 Years in Labirynt Nov 6, 2024Nov 14, 2024 POLANDPRZEMEK BRANASSEE/SAWSPAIN A Man Eating His Own Tail – Przemek Branas Nov 5, 2024Nov 5, 2024 ANASTASIA MARUKHINAGERMANYPATRICIA COUVETSEE/SAWSLAVS AND TATARS Sturm and Slang: 2024 Annual Public Program by Pickle Bar, Berlin Nov 4, 2024Nov 6, 2024 ESSAYLIZAVETA GERMANUKRAINEUnder the Lying Stone, Water Does Not Flow Thickets, Groves, Apartments, and Garages: on informal exhibitions in Ukraine, 1960s—2022: Part II Oct 30, 2024Oct 31, 2024 ESSAYLIZAVETA GERMANUKRAINEUnder the Lying Stone, Water Does Not Flow Thickets, Groves, Apartments, and Garages: on informal exhibitions in Ukraine, 1960s—2022: Part I Oct 30, 2024Oct 31, 2024 DASHA LOHVYNOVAESSAYFEATUREUKRAINEUnder the Lying Stone, Water Does Not Flow Investigating the Periphery: Ukrainian Wartime Art in the Framework of Horizontal Art History Oct 23, 2024Oct 23, 2024 Load MoreEnd Of Content SearchSearch Archive November 2024 October 2024 September 2024 August 2024 July 2024 June 2024 May 2024 April 2024
CZECH REPUBLICOPINIONWERONIKA ZALEWSKA Sowing Unrest as a Practice of Nurture. On the 3rd Biennale Matter of Art in Prague Nov 18, 2024Nov 19, 2024 MAXIMILIAN LEHNEROPINIONROMANIA Purposeful and Incidental Nov 14, 2024Nov 14, 2024 OPINIONPOLANDSEE/SAWSTACH SZABŁOWSKI 100 Years in Labirynt Nov 6, 2024Nov 14, 2024 POLANDPRZEMEK BRANASSEE/SAWSPAIN A Man Eating His Own Tail – Przemek Branas Nov 5, 2024Nov 5, 2024 ANASTASIA MARUKHINAGERMANYPATRICIA COUVETSEE/SAWSLAVS AND TATARS Sturm and Slang: 2024 Annual Public Program by Pickle Bar, Berlin Nov 4, 2024Nov 6, 2024 ESSAYLIZAVETA GERMANUKRAINEUnder the Lying Stone, Water Does Not Flow Thickets, Groves, Apartments, and Garages: on informal exhibitions in Ukraine, 1960s—2022: Part II Oct 30, 2024Oct 31, 2024 ESSAYLIZAVETA GERMANUKRAINEUnder the Lying Stone, Water Does Not Flow Thickets, Groves, Apartments, and Garages: on informal exhibitions in Ukraine, 1960s—2022: Part I Oct 30, 2024Oct 31, 2024 DASHA LOHVYNOVAESSAYFEATUREUKRAINEUnder the Lying Stone, Water Does Not Flow Investigating the Periphery: Ukrainian Wartime Art in the Framework of Horizontal Art History Oct 23, 2024Oct 23, 2024 Load MoreEnd Of Content SearchSearch Archive November 2024 October 2024 September 2024 August 2024 July 2024 June 2024 May 2024 April 2024
MAXIMILIAN LEHNEROPINIONROMANIA Purposeful and Incidental Nov 14, 2024Nov 14, 2024 OPINIONPOLANDSEE/SAWSTACH SZABŁOWSKI 100 Years in Labirynt Nov 6, 2024Nov 14, 2024 POLANDPRZEMEK BRANASSEE/SAWSPAIN A Man Eating His Own Tail – Przemek Branas Nov 5, 2024Nov 5, 2024 ANASTASIA MARUKHINAGERMANYPATRICIA COUVETSEE/SAWSLAVS AND TATARS Sturm and Slang: 2024 Annual Public Program by Pickle Bar, Berlin Nov 4, 2024Nov 6, 2024 ESSAYLIZAVETA GERMANUKRAINEUnder the Lying Stone, Water Does Not Flow Thickets, Groves, Apartments, and Garages: on informal exhibitions in Ukraine, 1960s—2022: Part II Oct 30, 2024Oct 31, 2024 ESSAYLIZAVETA GERMANUKRAINEUnder the Lying Stone, Water Does Not Flow Thickets, Groves, Apartments, and Garages: on informal exhibitions in Ukraine, 1960s—2022: Part I Oct 30, 2024Oct 31, 2024 DASHA LOHVYNOVAESSAYFEATUREUKRAINEUnder the Lying Stone, Water Does Not Flow Investigating the Periphery: Ukrainian Wartime Art in the Framework of Horizontal Art History Oct 23, 2024Oct 23, 2024 Load MoreEnd Of Content SearchSearch Archive November 2024 October 2024 September 2024 August 2024 July 2024 June 2024 May 2024 April 2024
OPINIONPOLANDSEE/SAWSTACH SZABŁOWSKI 100 Years in Labirynt Nov 6, 2024Nov 14, 2024 POLANDPRZEMEK BRANASSEE/SAWSPAIN A Man Eating His Own Tail – Przemek Branas Nov 5, 2024Nov 5, 2024 ANASTASIA MARUKHINAGERMANYPATRICIA COUVETSEE/SAWSLAVS AND TATARS Sturm and Slang: 2024 Annual Public Program by Pickle Bar, Berlin Nov 4, 2024Nov 6, 2024 ESSAYLIZAVETA GERMANUKRAINEUnder the Lying Stone, Water Does Not Flow Thickets, Groves, Apartments, and Garages: on informal exhibitions in Ukraine, 1960s—2022: Part II Oct 30, 2024Oct 31, 2024 ESSAYLIZAVETA GERMANUKRAINEUnder the Lying Stone, Water Does Not Flow Thickets, Groves, Apartments, and Garages: on informal exhibitions in Ukraine, 1960s—2022: Part I Oct 30, 2024Oct 31, 2024 DASHA LOHVYNOVAESSAYFEATUREUKRAINEUnder the Lying Stone, Water Does Not Flow Investigating the Periphery: Ukrainian Wartime Art in the Framework of Horizontal Art History Oct 23, 2024Oct 23, 2024 Load MoreEnd Of Content SearchSearch Archive November 2024 October 2024 September 2024 August 2024 July 2024 June 2024 May 2024 April 2024
POLANDPRZEMEK BRANASSEE/SAWSPAIN A Man Eating His Own Tail – Przemek Branas Nov 5, 2024Nov 5, 2024 ANASTASIA MARUKHINAGERMANYPATRICIA COUVETSEE/SAWSLAVS AND TATARS Sturm and Slang: 2024 Annual Public Program by Pickle Bar, Berlin Nov 4, 2024Nov 6, 2024 ESSAYLIZAVETA GERMANUKRAINEUnder the Lying Stone, Water Does Not Flow Thickets, Groves, Apartments, and Garages: on informal exhibitions in Ukraine, 1960s—2022: Part II Oct 30, 2024Oct 31, 2024 ESSAYLIZAVETA GERMANUKRAINEUnder the Lying Stone, Water Does Not Flow Thickets, Groves, Apartments, and Garages: on informal exhibitions in Ukraine, 1960s—2022: Part I Oct 30, 2024Oct 31, 2024 DASHA LOHVYNOVAESSAYFEATUREUKRAINEUnder the Lying Stone, Water Does Not Flow Investigating the Periphery: Ukrainian Wartime Art in the Framework of Horizontal Art History Oct 23, 2024Oct 23, 2024 Load MoreEnd Of Content SearchSearch Archive November 2024 October 2024 September 2024 August 2024 July 2024 June 2024 May 2024 April 2024
ANASTASIA MARUKHINAGERMANYPATRICIA COUVETSEE/SAWSLAVS AND TATARS Sturm and Slang: 2024 Annual Public Program by Pickle Bar, Berlin Nov 4, 2024Nov 6, 2024 ESSAYLIZAVETA GERMANUKRAINEUnder the Lying Stone, Water Does Not Flow Thickets, Groves, Apartments, and Garages: on informal exhibitions in Ukraine, 1960s—2022: Part II Oct 30, 2024Oct 31, 2024 ESSAYLIZAVETA GERMANUKRAINEUnder the Lying Stone, Water Does Not Flow Thickets, Groves, Apartments, and Garages: on informal exhibitions in Ukraine, 1960s—2022: Part I Oct 30, 2024Oct 31, 2024 DASHA LOHVYNOVAESSAYFEATUREUKRAINEUnder the Lying Stone, Water Does Not Flow Investigating the Periphery: Ukrainian Wartime Art in the Framework of Horizontal Art History Oct 23, 2024Oct 23, 2024 Load MoreEnd Of Content SearchSearch Archive November 2024 October 2024 September 2024 August 2024 July 2024 June 2024 May 2024 April 2024
ESSAYLIZAVETA GERMANUKRAINEUnder the Lying Stone, Water Does Not Flow Thickets, Groves, Apartments, and Garages: on informal exhibitions in Ukraine, 1960s—2022: Part II Oct 30, 2024Oct 31, 2024 ESSAYLIZAVETA GERMANUKRAINEUnder the Lying Stone, Water Does Not Flow Thickets, Groves, Apartments, and Garages: on informal exhibitions in Ukraine, 1960s—2022: Part I Oct 30, 2024Oct 31, 2024 DASHA LOHVYNOVAESSAYFEATUREUKRAINEUnder the Lying Stone, Water Does Not Flow Investigating the Periphery: Ukrainian Wartime Art in the Framework of Horizontal Art History Oct 23, 2024Oct 23, 2024 Load MoreEnd Of Content SearchSearch Archive November 2024 October 2024 September 2024 August 2024 July 2024 June 2024 May 2024 April 2024
ESSAYLIZAVETA GERMANUKRAINEUnder the Lying Stone, Water Does Not Flow Thickets, Groves, Apartments, and Garages: on informal exhibitions in Ukraine, 1960s—2022: Part I Oct 30, 2024Oct 31, 2024 DASHA LOHVYNOVAESSAYFEATUREUKRAINEUnder the Lying Stone, Water Does Not Flow Investigating the Periphery: Ukrainian Wartime Art in the Framework of Horizontal Art History Oct 23, 2024Oct 23, 2024 Load MoreEnd Of Content
DASHA LOHVYNOVAESSAYFEATUREUKRAINEUnder the Lying Stone, Water Does Not Flow Investigating the Periphery: Ukrainian Wartime Art in the Framework of Horizontal Art History Oct 23, 2024Oct 23, 2024
