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OLEKSII MINKOOPINIONUKRAINE

A Bomb Shelter of Contemporary Art: Sense of Safety and the Quantum Physics of an Exhibition

Nov 19, 2024Nov 20, 2024
CZECH REPUBLICOPINIONWERONIKA ZALEWSKA

Sowing Unrest as a Practice of Nurture. On the 3rd Biennale Matter of Art in Prague

Nov 18, 2024Nov 25, 2024
MAXIMILIAN LEHNEROPINIONROMANIA

Purposeful and Incidental

Nov 14, 2024Nov 14, 2024
OPINIONPOLANDSEE/SAWSTACH SZABŁOWSKI

100 Years in Labirynt

Nov 6, 2024Nov 14, 2024
POLANDPRZEMEK BRANASSEE/SAWSPAIN

A Man Eating His Own Tail – Przemek Branas

Nov 5, 2024Nov 5, 2024
ANASTASIA MARUKHINAGERMANYPATRICIA COUVETSEE/SAWSLAVS AND TATARS

Sturm and Slang: 2024 Annual Public Program by Pickle Bar, Berlin

Nov 4, 2024Nov 6, 2024
ESSAYLIZAVETA GERMANUKRAINEUnder the Lying Stone, Water Does Not Flow

Thickets, Groves, Apartments, and Garages: on informal exhibitions in Ukraine, 1960s—2022: Part II

Oct 30, 2024Oct 31, 2024
ESSAYLIZAVETA GERMANUKRAINEUnder the Lying Stone, Water Does Not Flow

Thickets, Groves, Apartments, and Garages: on informal exhibitions in Ukraine, 1960s—2022: Part I

Oct 30, 2024Oct 31, 2024
DASHA LOHVYNOVAESSAYFEATUREUKRAINEUnder the Lying Stone, Water Does Not Flow

Investigating the Periphery: Ukrainian Wartime Art in the Framework of Horizontal Art History

Oct 23, 2024Oct 23, 2024
NIKA KUPYROVASEE/SAWSLOVENIA

Fake Fur – Nika Kupyrova

Oct 22, 2024Oct 22, 2024
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