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PGS SOPOTPOLANDSEE/SAW

We Want the Whole Life. Feminisms in Polish Art

Feb 25, 2025Feb 25, 2025
66PPOLANDSEE/SAWUKRAINE

Monuments Will Speak With Our Voices — Marta Romankiv

Feb 6, 2025Feb 6, 2025
OPINIONSERBIATEODORA TALHOS

Teaching Ourselves to Hope – a Review of the 60th October Salon in Belgrade

Feb 5, 2025Feb 5, 2025
ALICJA BIELAWSKADEATH OF MAN GALLERYMAŁGORZATA WIDOMSKAPOLANDSEE/SAW

I Intertwine Your Fingers with Mine — Alicja Bielawska, Małgorzata Widomska

Jan 30, 2025Jan 30, 2025
Hilda Kamdron, “Narva Street” (1941), pencil. Image courtesy of Kumu Art Museum and Tartu City Museum.
EERO EPNERESTONIAHILDA KAMDRONKUMU ART MUSEUMSEE/SAW

Vanishing of a City: Hilda Kamdron’s Drawings as a Trauma Narrative

Jan 29, 2025Jan 29, 2025
AUSTRIACONVERSATIONSERBIA

You Saw History Being Written and Rewritten in Front of Your Eyes: Aleksandra Domanović and Carson Chan in Conversation

Jan 24, 2025Jan 25, 2025
CZECH REPUBLICPRAGOVKA GALLERYSEE/SAW

CHASING THE HOURGLASS — Vojtěch Novák & Elena Pecenová

Jan 21, 2025Jan 21, 2025
ANCA POTERASU GALLERYROMANIASEE/SAW

The Line of the Valley — Part II

Jan 20, 2025Jan 21, 2025
CONVERSATIONGERMANYMONIKA GABRIELA DORNIAKPOLANDSILVIA RUSSO

TRAVERSING TEMPORALITIES

Jan 17, 2025Jan 17, 2025
GERMANYKVOSTSEE/SAWZOFIA NIERODZIŃSKA

Long-distance Relationships — Research and exhibition project

Jan 16, 2025Feb 6, 2025
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