OPINIONPOLANDZOFIA NIERODZIŃSKA Repressed history always returns: reflections on the exhibition Illusions of Omnipotence: Architecture and Everyday Life under German Occupation Mar 12, 2025Mar 14, 2025 GALERIA PROMOCYJNAPOLANDSEE/SAW Eat a Tomato (I am a tomato) — Franek Drażba Mar 10, 2025Mar 10, 2025 LEA SANDEOPINIONSLOVENIA How to Compute a Vision: Perspectives on Post–Acquisitive Alternatives and Computer–Mediated Worlding Mar 3, 2025Mar 3, 2025
GALERIA PROMOCYJNAPOLANDSEE/SAW Eat a Tomato (I am a tomato) — Franek Drażba Mar 10, 2025Mar 10, 2025 LEA SANDEOPINIONSLOVENIA How to Compute a Vision: Perspectives on Post–Acquisitive Alternatives and Computer–Mediated Worlding Mar 3, 2025Mar 3, 2025
LEA SANDEOPINIONSLOVENIA How to Compute a Vision: Perspectives on Post–Acquisitive Alternatives and Computer–Mediated Worlding Mar 3, 2025Mar 3, 2025
FEATURESLOVENIA Staš Kleindienst Feb 28, 2025Feb 28, 2025 NORTHERN IRELANDPOLANDSEE/SAWUK Lament — Zuza Golińska Feb 27, 2025Feb 27, 2025 AUSTRIABOSNIA HERZEGOVINAKUNSTHAUS GRAZSEE/SAW Sanctuary — Azra Akšamija Feb 26, 2025Feb 26, 2025 PGS SOPOTPOLANDSEE/SAW We Want the Whole Life. Feminisms in Polish Art Feb 25, 2025Feb 25, 2025 66PPOLANDSEE/SAWUKRAINE Monuments Will Speak With Our Voices — Marta Romankiv Feb 6, 2025Feb 6, 2025 OPINIONSERBIATEODORA TALHOS Teaching Ourselves to Hope – a Review of the 60th October Salon in Belgrade Feb 5, 2025Feb 5, 2025 ALICJA BIELAWSKADEATH OF MAN GALLERYMAŁGORZATA WIDOMSKAPOLANDSEE/SAW I Intertwine Your Fingers with Mine — Alicja Bielawska, Małgorzata Widomska Jan 30, 2025Jan 30, 2025 EERO EPNERESTONIAHILDA KAMDRONKUMU ART MUSEUMSEE/SAW Vanishing of a City: Hilda Kamdron’s Drawings as a Trauma Narrative Jan 29, 2025Jan 29, 2025
NORTHERN IRELANDPOLANDSEE/SAWUK Lament — Zuza Golińska Feb 27, 2025Feb 27, 2025 AUSTRIABOSNIA HERZEGOVINAKUNSTHAUS GRAZSEE/SAW Sanctuary — Azra Akšamija Feb 26, 2025Feb 26, 2025 PGS SOPOTPOLANDSEE/SAW We Want the Whole Life. Feminisms in Polish Art Feb 25, 2025Feb 25, 2025 66PPOLANDSEE/SAWUKRAINE Monuments Will Speak With Our Voices — Marta Romankiv Feb 6, 2025Feb 6, 2025 OPINIONSERBIATEODORA TALHOS Teaching Ourselves to Hope – a Review of the 60th October Salon in Belgrade Feb 5, 2025Feb 5, 2025 ALICJA BIELAWSKADEATH OF MAN GALLERYMAŁGORZATA WIDOMSKAPOLANDSEE/SAW I Intertwine Your Fingers with Mine — Alicja Bielawska, Małgorzata Widomska Jan 30, 2025Jan 30, 2025 EERO EPNERESTONIAHILDA KAMDRONKUMU ART MUSEUMSEE/SAW Vanishing of a City: Hilda Kamdron’s Drawings as a Trauma Narrative Jan 29, 2025Jan 29, 2025
AUSTRIABOSNIA HERZEGOVINAKUNSTHAUS GRAZSEE/SAW Sanctuary — Azra Akšamija Feb 26, 2025Feb 26, 2025 PGS SOPOTPOLANDSEE/SAW We Want the Whole Life. Feminisms in Polish Art Feb 25, 2025Feb 25, 2025 66PPOLANDSEE/SAWUKRAINE Monuments Will Speak With Our Voices — Marta Romankiv Feb 6, 2025Feb 6, 2025 OPINIONSERBIATEODORA TALHOS Teaching Ourselves to Hope – a Review of the 60th October Salon in Belgrade Feb 5, 2025Feb 5, 2025 ALICJA BIELAWSKADEATH OF MAN GALLERYMAŁGORZATA WIDOMSKAPOLANDSEE/SAW I Intertwine Your Fingers with Mine — Alicja Bielawska, Małgorzata Widomska Jan 30, 2025Jan 30, 2025 EERO EPNERESTONIAHILDA KAMDRONKUMU ART MUSEUMSEE/SAW Vanishing of a City: Hilda Kamdron’s Drawings as a Trauma Narrative Jan 29, 2025Jan 29, 2025
PGS SOPOTPOLANDSEE/SAW We Want the Whole Life. Feminisms in Polish Art Feb 25, 2025Feb 25, 2025 66PPOLANDSEE/SAWUKRAINE Monuments Will Speak With Our Voices — Marta Romankiv Feb 6, 2025Feb 6, 2025 OPINIONSERBIATEODORA TALHOS Teaching Ourselves to Hope – a Review of the 60th October Salon in Belgrade Feb 5, 2025Feb 5, 2025 ALICJA BIELAWSKADEATH OF MAN GALLERYMAŁGORZATA WIDOMSKAPOLANDSEE/SAW I Intertwine Your Fingers with Mine — Alicja Bielawska, Małgorzata Widomska Jan 30, 2025Jan 30, 2025 EERO EPNERESTONIAHILDA KAMDRONKUMU ART MUSEUMSEE/SAW Vanishing of a City: Hilda Kamdron’s Drawings as a Trauma Narrative Jan 29, 2025Jan 29, 2025
66PPOLANDSEE/SAWUKRAINE Monuments Will Speak With Our Voices — Marta Romankiv Feb 6, 2025Feb 6, 2025 OPINIONSERBIATEODORA TALHOS Teaching Ourselves to Hope – a Review of the 60th October Salon in Belgrade Feb 5, 2025Feb 5, 2025 ALICJA BIELAWSKADEATH OF MAN GALLERYMAŁGORZATA WIDOMSKAPOLANDSEE/SAW I Intertwine Your Fingers with Mine — Alicja Bielawska, Małgorzata Widomska Jan 30, 2025Jan 30, 2025 EERO EPNERESTONIAHILDA KAMDRONKUMU ART MUSEUMSEE/SAW Vanishing of a City: Hilda Kamdron’s Drawings as a Trauma Narrative Jan 29, 2025Jan 29, 2025
OPINIONSERBIATEODORA TALHOS Teaching Ourselves to Hope – a Review of the 60th October Salon in Belgrade Feb 5, 2025Feb 5, 2025 ALICJA BIELAWSKADEATH OF MAN GALLERYMAŁGORZATA WIDOMSKAPOLANDSEE/SAW I Intertwine Your Fingers with Mine — Alicja Bielawska, Małgorzata Widomska Jan 30, 2025Jan 30, 2025 EERO EPNERESTONIAHILDA KAMDRONKUMU ART MUSEUMSEE/SAW Vanishing of a City: Hilda Kamdron’s Drawings as a Trauma Narrative Jan 29, 2025Jan 29, 2025
ALICJA BIELAWSKADEATH OF MAN GALLERYMAŁGORZATA WIDOMSKAPOLANDSEE/SAW I Intertwine Your Fingers with Mine — Alicja Bielawska, Małgorzata Widomska Jan 30, 2025Jan 30, 2025 EERO EPNERESTONIAHILDA KAMDRONKUMU ART MUSEUMSEE/SAW Vanishing of a City: Hilda Kamdron’s Drawings as a Trauma Narrative Jan 29, 2025Jan 29, 2025
EERO EPNERESTONIAHILDA KAMDRONKUMU ART MUSEUMSEE/SAW Vanishing of a City: Hilda Kamdron’s Drawings as a Trauma Narrative Jan 29, 2025Jan 29, 2025
